Dating a gibson banjo
The back sometimes includes the same information, but more elaborate.Front Imprint Several style changes are easily datable.
Initially, cabinet cards were made from natural raw bristol board, both front and back.
But in the mid-1870s the backs were coated with soft off-white or even light pastel ink.
The two most advertised card colors were primrose (pale yellow) and pearl (rich off-white) though light pink, blue, and green can be found.
In the mid-1880s dark colored cards were introduced and used until the early 1890s. Green was a very attractive version, but examples are harder to find.
It was introduced in the late 1860s in England, but did not gain much attention in the U. That is when the effect of new photographic papers and camera improvements really became apparent.
Many cabinet card photographs from the 1880s and 1890s are exquisite pieces of artwork, exhibiting technical excellence and wonderful composition.
Building A 21st Century Archtop But bringing that classic (and coveted) Epiphone archtop tone into the 21st century required looking at the original designs with a critical eye to see what made them tick.
Luckily, most of those answers could be found in the Epiphone Historic Collection at Epiphone's headquarters in Nashville, TN.
General Rule: Dark cards popular from 1885 to 1895 Imprints are the text and artwork printed on the card.